Low lighting; the scent of brewing coffee; the low buzz of quiet, polite, conversation – usually revolving around such mundane topics as art history, current fashion, What I Did This Weekend, and, perhaps, last night\'s discrete sexual encounter. The merry tinkle of the cash register. Smiling baristas. It wasn\'t often one saw Morgaine Layfette in a setting such as this. And when you did, she was usually wearing large, dark sunglasses and trying very hard not to be seen.
Tonight, she was doing exactly the opposite. On any other night, she wouldn\'t be caught dead as she was now, and, tomorrow, if you said you\'d seen her here, she\'d call you a liar.
She was seated on a stool near the back of the shop, where tables had been cleared away for a makeshift performance space; tonight had been billed as a sort of open-mic fiesta, meant for college students and aging hippies to who wished to break out the old guitar and pour their hearts out to an audience of other college students and aging hippies by way of soul-wrenching songs about breakups, or Fleetwood Mac covers (respectively).
She certainly looked the part, in her torn jeans and thrift-store T-shirt, with the obligatory acoustic guitar in her lap. Unlike everyone else, however, she didn\'t introduce herself to the audience. She wasn\'t doing this for them. This was for her. She strummed a few chords, and, satisfied, she played the opening to Green Day\'s "Give Me Novacaine".
"Take away the sensation inside,
Bittersweet migraine in my head
It\'s like a throbbin\' toothache of the mind
I can\'t take this feeling any more."
The Indian girl\'s slight Delhi accent put a new spin on the familiar words, and she settled into the rhythm easily, replacing the drum track with the tap of one foot on the lower rung of the stool.
"Drain the pressure from the swelling
This sensation\'s overwhelming
Give me all a kiss goodnight
And everything\'ll be alright
Tell me that I won\'t feel a thing
So give me Novacaine."
As she began the chorus, her head nodded to the words, and a curtain of hair fell from behind one ear, obscuring her tattooed visage. Her eyes were closed, however, and she made no move to fix it.
"Out of body and out of mind
Kiss the demons out of my dreams
I get the funny feelin\' that\'s alright
Jimmy says it\'s better than air."
The first verse had mirrored Billy Joe Armstrong\'s detachment. She\'d simply sung the words – but this verse, she felt. The words came out hard-edged, but pleading. Misery and rage twined together, transforming the lyrics and twisting her voice. Her hands wrenched the chords from her guitar as if they were a lifeline, but a detestable one, and she clung to it for dear life as she sang the second chorus through clenched teeth.
Typically, a brief interlude played after the second chorus, but she stripped the tradition away, taking the melody and twisting it to meet her mood – a brief, jilted appregio that only barely resembled the original music – before she pulled it back, and repeated the chorus again. The wild rage was all but gone from her voice, replaced by a bitterness sharpened by anger, and dulled with pain. Though less intense, there was more raw emotion in that chorus than she\'d shown in some time. When she raised her face to the mic, tears shown on her tattooed cheeks.
But then she stopped singing, and played the closing chords. When those faded into nothingness, the room was silent. Her performance held the sort of raw, pure emotion that made people uncomfortable. She\'d shown this audience something of herself that very few people had ever seen, and nobody knew what to do with it.
She rescinded the stool to the next guitar-wielding college kid to a smattering of applause, wiping her face with the back of her hand in a sharp, furtive gesture.
Morgaine was here tonight because her life was falling apart at the seams. Everything she stood for, everything she loved, was slowly being taken from her by forces she had no way of reckoning with. With every fiber of her being, she fought against the acceptance, though, using the only weapons she had – her body, her voice, her bike, and her guitar. Sometimes, however, she just wanted not to feel.